The Persephone Project
An interactive, family-friendly performance weaving together mythic tales of nature gods and true stories of environmental justice.
The Persephone Project uses the tools of the theater to create spectacular events that support community, environmental justice, and climate change activism. Through participatory pageants using story, song, drums, dance, costume, choreography, and beauty, the Persephone Project weaves together mythic tales and true stories of conservation. We invite people of all ages to create these ceremonies of place, and join in chorus with nature to address the environmental issues of today.
The Persephone Story
The Ancient Greek myth of Persephone tells this story: a harvest goddess’s daughter is stolen from her mother and taken to the Underworld. The whole world and its seasons are upended as a result. The mother demands justice. Her demand is ignored. She withholds the Spring and with it the harvest. The Earth and its creatures suffer and cry out for justice. At last, a compromise is reached, and the daughter is able to return to her mother for six months of the year. Everything blooms and grows. At the end of six months, Persephone must return to the Underworld, and as a result everything dies and there is winter on earth. Thus begins the cycle of the seasons.
The Persephone myth is a powerful allegory for nature in crisis: resources (the daughter) are taken from the Earth (the mother) without regard for the consequences. It is a timeless story of love, anger, grieving, and compromise. And because a Persephone Pageant is a performance that makes use of story, landscape, and myth as a frame for personal experience, the audience often finds themselves empathizing with the characters of Lakes or Rivers, and seeing the plight of the landscape in more human terms. This personification of nature is a powerful tool for transformative action.
What is a Pageant?
We define a “pageant” as a live, moving picture story, often performed outdoors, with the landscape, weather, and sky playing equal roles alongside professional and non-professional performers. Live music and large but simple visual gestures (flags, large puppets, group dance, and choral song) are used as storytelling elements. The themes of a pageant are often tied to the location in which it is performed, with participants and performers intimately connected to the subject matter. Thus, a pageant is a kind of ritual performance a community enacts for itself. All of our pageants are followed by celebration, the sharing of food, and conversations about the issues illuminated by the performance.
Jessica Thebus—Pageant Director
Jessica Thebus is a theater director, pageant creator, educator, and fellow at the Center for Humans and Nature. She was last seen at The Gift as the director of Richard III. Recently, her work was seen at Northlight Theater with Miss Bennet: Christmas at Pemberly, by Margot Melcon and Lauren Gunderson. Jessica has been a long-time associate of Steppenwolf Theater Company where she directed four large spectacle evenings at Millennium Park. Recently, she adapted and directed Shining Lives: a Musical at Northlight Theater (Jeff Award nomination for best new work), The Oldest Boy at The Marin Theater Company, Buzzer at the Goodman Theatre (where she previously directed both The Clean House and the world premiere of Stage Kiss by Sarah Ruhl), and In The Garden, a Darwinian Love Story at Lookingglass. Thebus holds a PhD in Performance Studies from Northwestern University, and is Director of the MFA Program in Directing at Northwestern University.
Tria Smith—Pageant Designer and Director of Community Engagement
Tria Smith is a performer, teacher, writer, and designer who has been creating theater in Chicago for the past 30 years. Trained as a performer at the Piven Theater Workshop, Interlochen, Oberlin, Northwestern University, and the School of the Art Institute of Chicago, Tria has performed throughout Chicago and was a principal collaborator in Redmoon Theater since its inception. Tria taught at the Piven Theater Workshop for more than 15 years and was the founder of Redmoon Theater’s Dramagirls program, a long-term creative mentorship for middle school girls on Chicago’s West Side, for which she was named one of Today’s Chicago Women of the Year. Tria designed and produced A Persephone Pageant with Walkabout Theater as part of Chicago’s Night Out in the Parks—which included performances at Ragdale Foundation and the Logan Center at the University of Chicago as well as public parks across the city. In 2018 she engaged four community partners in the Edgewater neighborhood, to contribute to an Earth Day Clean-up Celebration + Pageant produced by Pivot Arts.
How to Work with the Persephone Project
A Persephone Pageant can be made anywhere, and can be large or small. It can tell the story of Lake Michigan and be a month-long process with a cast of 30 performers, or it can tell the story of a small community garden in one day. And everything in between. For example:
- In a Persephone Pageant about the return of wildlife to the Chicago River, the Mother was the Earth, the Daughter was the River, The King of the Dead was the garbage polluting the river, and Justice was a band of coyotes, birds, otters, and turtles.
- In another Pageant about water quality in Lake Michigan, the Daughter was the Lake, the King of the Dead was the polluting factory, and Justice was personified by a garden of thriving flowers. This Pageant celebrated a clean-water ordinance effort.
- On a smaller scale, in a Pageant about the Chicago neighborhood of Edgewater, the Daughter was the neighborhood, the King of the Dead was Garbage, and Justice was a great Blue Heron. This Pageant celebrated a neighborhood clean-up on Earth Day.
If you have an environmental issue, a place, or a project that we might be able to support with a pageant or a workshop, we can create one at any scale. We have worked with schools, civic leadership, neighborhood organizations, foundations, universities, theater companies, and conferences. The first step would be to contact us and discuss your idea.
Pageant Workshops: How to Participate
The workshops we offer can stand alone or be experienced as a cumulative sequence. We use the bones of the myth of Persephone from Ovid’s Metamorphosis as an entry point to an embodied, vividly imagined journey of environmental justice and healing. The myth has a great deal to offer us through its narrative, its characters, and its images.
In the Persephone Pageant workshops, we create thresholds through which participants can step and inhabit the story through song, movement, image, metaphor, and performance. (No previous performance experience is necessary for any of the workshops.)
Workshop Option 1: EMBODIMENT
We use Theater Games and Improvisation to allow participants to step into the story of Persephone and use it to explore their own relationship to the natural world.
The story is told, accompanied by song. After that, improvisations begin with a simple word or phrase; sound and movement is added; until finally each participant creates an imagined embodied world. We then guide participants through writing exercises in order to discover how Persephone’s cyclical journey relates to the land, water. and air around them.
Equipment needed: Open space in which to move
Workshop Option 2: VESTMENT
This workshop creates Wearable Nature: Crowns & Vestments.
What does the goddess wear? Is she made of bark, sticks, moss, and gold? Does she wear ferns, blossoms, or antlers made of branches? The answer depends upon each participants’ connection to the figure of Persephone, her Mother, and their own journey in relation to the story.
Using elements from nature, beautiful fabrics, and couture remnants, each participant will create their own costume and crown. Music and story will accompany the exploration of materials. Finally, wearing these vestments, participants will create a procession. This enactment allows them to personify the elements of nature that move them. It invites them to imagine, build with their own hands, and wear a visible manifestation of their relationship with nature.
Equipment needed: Ideally an art studio, tables, outlets for glue guns, and a place to lay out curated materials.
Workshop Option 3: PAGEANT
This workshop uses the art of Pageant Practice to create a simple and moving spectacle with the journey of Persephone as a guide.
The entire story is told by the participants in a way that is unique to this particular gathered group, using song, crowns and costumes, and physical embodiments of events in a natural landscape.
By creating a performance together, the participants imagine, make and enact a celebration of the land.
Equipment Needed: An open space to move, indoors or outdoors.
FLIGHT OF BIRDS
Saturday, July 11, 6pm
1230 W. Greenleaf Ave., Chicago
Please join Random Acts of Theater for a FLIGHT OF BIRDS on the beach. Socially distanced performance! We will meet on the evening of Saturday, July 11 at 6pm near Loyola Park, and bring this beautiful blue heron puppet (below) out into the prairie grass, the sand, and the water, to offer an image of Freedom and Power to all the people in the park. We will also have small blue birds that will surround the heron, and some great music. All ages welcome! Please wear blue, and we encourage you to perform with us! Or just watch. RSVP to Jessica Thebus and we will follow with details. Feel free to invite others.